THE BEST SIDE OF CHARLIE CHAPLIN'S "THE CIRCUS" (1928)

The best Side of Charlie Chaplin's "The Circus" (1928)

The Buster Keaton character has his ft on the ground. He would be humiliated to parade his goodness. He employs ingenuity instead of divinity. Chaplin’s untidy love life indicates he felt he deserved whomever he desired; Keaton in private everyday living appears to happen to be melancholic because of alcoholism, but a good sufficient type with Ga

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